Carve Magazine Issue 193

Carve Magazine Issue 193

Carve Surfing Magazine

Carve Magazine Issue 193

New issue is in stores this week and available on the app now for you iPad folk. For next time how about letting the postie take the strain and subscribe?!

25 YEARS

Twenty-five years is a long time.
Hell, a fair few of you reading this won’t have been on this good earth that long. But the mag is officially 25 years young this season.
When Chris Power started the mag, with Louise and Mike Searle, things were a tad different out there.
Sure the basics of boards, fins, leashes, surfer plus wave equals fun applied. Boards you’d recognise, although they’d probably be a bit skinny and rockered for modern tastes, that and the fins were glass-on which was a pain in the derriere for travel. But surfing was basically as it is now, just less air based.
Kelly Slater was of course in the ascendant, he had his first title under his belt in ’92 and nailed his second in the year Carve started: 1994, which is absolutely redonkulous when you think about it. How many sportsmen that aren’t golf batters stay at the sharp end of their sports for over a quarter of a century? Lisa Andersen was starting her rewriting of women’s surfing, and surfing, in general, was transitioning from the old school to the new school.
Taylor Steele’s classic Momentum came out in ’92, but the beloved Focus hit in 1994. Another epoch-changing time as surf films went from lovingly crafted, shot on 16mm, expensive film projects to punk Hi8 edited at home jobs viewed on VHS. The Momentum generation has shaped surfing ever since.
The WSL, then known as the ASP, had just settled on the Dream Tour concept, prioritising the best waves at the right time of year as opposed to crowded, shitty city beaches of the ‘80s and early ‘90s.
In short, the mid-90s was a hell of a time. Surfing was on the up, surf magazines were how we got our dose of surf culture, the surf co’s were coining it in, the web was starting as a concept, and social networks were a decade from beginning to exist. Hell even having your own computer was a bit of an odd thing in those days. Apple was just a niche supplier of computers to publishers, printers and photographic sorts. No iAnything until ’98 and the smartphone revolution ushered in by the iPhone was a long way off.
Mad to see how far we’ve come.
From manual focus cameras shooting film, typing articles on typewriters to the instant live broadcast of surf sessions as they happen. 25 years of change. Twenty-five years of British surfing.
It has been a hell of a ride.
As for this kid? I was finishing uni in ’94. Got my first shot in Carve in ’96 (a half page line up of Raglan in NZ) and did my first gig for them in ’97 and after being around the blocks for the opposition, I’ve been the editor since the start of 2010. Where the hell did that time go?
Anyhoose. It’s been a rough time for journalism in all forms recently. The surf media has been decimated along with a lot of other genres. There aren’t many print mags left worldwide, but we’re still here, giving you the tactile, joyous experience of photos you can see without squinting. Photos that deserve your attention. Not just a cursory glance as you swipe past. A surf mag is a thing of beauty, a bundle of paper designed to make you dream, to form your own plans for travel. To inspire you to experience all the salty world has to offer. We can but try. Glad you’re along for the ride.
Lastly:
Thank you to all our readers and subscribers past and present.
Thank you to all the scribes and photographers whose work we’ve featured over the decades, without you, we are nothing.
Thank you to all the staff who’ve designed, produced and sweated to get this mag out on time issue after issue.
Thank you to all the surfers who have featured in the pages of the mag.
Thank you to Mama Nature for keeping the waves flowing.
Twenty-five years is a long time. The world is a very different place to when the mag started. All we know is we still love surfing as much as we did back in ’94.
Read the mag, get inspired, now go get wet.

Sharpy
Editor

 

 

 

Carve 25th anniversary writing competition

Carve 25th anniversary writing competition

Stories are at the heart of surfing whether from your last wave, latest trip or the myths and legends from years gone by. We want to encourage writers, young, old, or those that would like their work published but are either not sure where to start or are not sure if their work is good enough. Everyone has to start somewhere! So this year we are running Carve surf journalist competition.

Anyone can enter, and each month we will pick one story to publish in the magazine and a couple to publish on our website. It could be an interview, opinion, a feature or travel story. Humorous, informative, adventurous, technical, if you feel inspired to write we want to hear from you! At the end of the year we will announce our Carve 25th Anniversary Writer of the Year.

There will be a prize, although we have to sort that out at time of writing!

Send entries to [email protected]

Rules
500-1000 word articles are ideal. We can’t respond to all emails, but you will get an autoresponder confirmation for each story. By entering you consent to Carve running your submission online and in print. We will double check spelling and grammar so don’t be too nervous about submitting work. There is no cash alternative to the prize or reimbursement for submissions published or unpublished. You can enter 12 pieces of work over the year. Carve editors will pick stories to run on site ad in the magazine and their decision is final. We will announce website winners online and publish work.

Snap Happy, Holy Hermosa, Shorebreak Madness Raw Edit!

Snap Happy, Holy Hermosa, Shorebreak Madness Raw Edit!

Professional surfers Kolohe Andino, Kanoa Igarashi, Blair Conklin, Brad Domke, Griffin Colapinto, Kei Kobayashi, Craig Whetter, Hiroto Ohhara, Bill “Beaker” Bryan, Teddy Navarro, Yadin Nicol, Chris Waring and more charge heavy shorebreak waves at Hermosa Beach pier during big winter swell.

Below the 
breaking waves, ocean culture life

Matt Porteous documents his passion for the ocean by capturing the beauty below the breaking waves. Dynamic flow, colour, vision, depth of field and charm all contribute to Matt’s photographic perspective.

Interview by Steve England Photos by Matt Porteous

Having grown up along the rugged coastline of Jersey in the Channel Islands, Matt has surfed, dived and swum his way into a peaceful and respectful relationship with the sea. His first yellow, underwater Minolta accompanied him everywhere. It was through that simple lens that he learnt to capture the sublime beauty of nature.
What Matt photographs, perhaps, is a sense of freedom and a sense of adventure. His latest project Ocean Culture Life, built from passion alongside a friend and ocean filmmaker Googsi aims to form an ecosystem of oceanographers, free divers, surfers, filmmakers, lifeguards and ocean dreamers whose lives have been shaped by the sea. In short, OCL is a global community of positive ocean storytellers who collaborate on various projects. OCL’s team creates thumb stopping content for their network of ambassadors and charities, collectively spreading awareness on all things ocean related.
We caught up with Matt to discuss Ocean Culture Life and how he plans to harness the power of the ocean to nurture a meaningful connection between mankind and nature.

“The more we all 
understand the ocean, the more we appreciate and want to protect it”

What inspired you to take the camera beneath the surface?
It’s a world that many are afraid to explore and most don’t take the time to view. It fascinates me every time I step into the water.

What’s so different about shooting underwater?
The freedom you feel, a meditated state with open eyes looking up from below the surface resembles a fast moving storm of change above. I find it hard to feel this relaxed anywhere but in the ocean. Even after hundreds of immersions, every time I descend to capture my surroundings I am arrested by that same sense of wonder and humbleness.

How does your lifestyle inspire you?
When you’re born on an island and you grow up on its shores, the ocean shapes you. You gain a certain respect for the ocean, a respect and love that only people connected with the ocean can truly understand.

Why is OCL central to what you do?
I work in a busy commercial world, my ocean life has always been my release, a personal love. I’m passionate to focus my time creating art that I feel passionate about and hopefully touching the hearts of people with the same love. There’s too much negative energy in the world, I feel motivated to create something positive.

What’s inspired you to dedicate so much of your time to a project with no clear profit?
I recently heard a quote “ There are two important days in our lives. The day we are born and the day we realise why”
My work is built on passion not money, I first wanted to share what I see with the world, now I want to invite ocean storytellers to join and share their stories with the world. Helping shine light on ocean ambassadors and projects along the way.

What is on the agenda for you and OCL this summer?
We’re currently organising a local event here in Jersey which aims to celebrate World Ocean Day. We have invited anyone with a love for the ocean to St.Ouens bay for a night walk to shine a light on change. This is all about supporting local charities, conservationists and whoever shares a similar respect for the ocean. We plan to use the content captured on this day to highlight World Ocean Day moving forward and hopefully inspire local communities around the UK to get involved and host their own awareness event.

Who are your ambassadors and what’s their involvement?
Our ambassadors are a network of like minded individuals who all share a common love for the ocean. They are freedivers, lifeguards, filmmakers, fishermen, photographers, ocean conservationists, charity founders, journalists and entrepreneurs. We may not have the same occupations, religions or even locations but we all share the same respect for one thing… our oceans. Which is why we all depend on OCL to become the platform to collaborate and support hot topics, pressing issues and help steer change to healthier oceans.

Where does your funding come from?
Money raised from print sale’s, merchandise and corporate sponsors are all put back into funding OCL projects, capturing powerful content which tells a story. Each item of OCL merchandise holds a token value which individuals can award to their chosen OCL cause via our website. The token scheme allows us to record which topic our community would most like us to support with our award winning content. All profit is then injected back into creating content for our ambassadors and charities.

What motivates you to continue doing what you’re doing?
The privilege to share our experiences with the world how OCL observes, records and celebrates the cultures of the oceans with communities and our audiences. What better than working in the vast oceans to highlight issues, bring them to the surface and make a difference in restoring healthy oceans?
Telling the ocean’s story with all its wild power and beauty is what drives us on, that’s how our project Ocean Culture Life started. The more we all understand the ocean, the more we appreciate and want to protect it.

Follow Matt on Instagram here 
Check out what they are doing and get involved at oceanculture.life