Arbor Skateboards launches new Greyson Fletcher pro models

Arbor Skateboards launches new Greyson Fletcher pro models

Arbor is proud to announce its first two pro models with Greyson Fletcher, with the release of Leave Blood. The new edit, filmed in Greyson’s studio, and at his local San Clemente Skatepark, highlights Greyson’s skills as both a skateboarder and an artist.

Arbor's mission is to reduce the impact that producing skateboards and snowboards has on the planet. For decades now, this effort has been shaped by both the athletes and artists the Brand works with. These distinct collaborators define performance, progression, message, light, and colour for the Brand, as it works to deliver sustainability year-in, and year-out.

Every once in a while, an individual comes into the Arbor family who excels at both art and skateboarding. Greyson is just such a person, and the Brand is stoked to highlight both his raw, powerful skateboarding and deeply personal art in this film. Those passions made these new models possible - the first ever Greyson Fletcher shapes to feature his artwork.  

Film / Edit: Nate Shute
Music: Andrés Segovia “Leyenda”
Photos: Cody Moyles

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Follow @greyson_fletcher 

To learn more about the Greyson Pro Series, Click Here:

Following with JOB

Following with JOB

Jamie O'Brien has spent more time surfing Pipeline than the average person has spent watching television. Given that Pipe more-or-less is Jamie's living room this kinda makes sense. Kinda. Jamie has put the hard yards in at the North Shore's holy grail, and his reflexive surfing at the Banzai is a clear reflection of the hours he has spent in the water, a stone's throw from his balcony, or lanai, for anyone who's been to Hawaii.

Repetition can however bring boredom, and while most surfers might consider surfing a different wave or enjoying a well-earned lay day, Jamie has found the best way to tame the *tedium* of seven-outta-ten Pipeline lies in a few extra inches and a whole lot more foam... enter the soft-top!

In the latest instalment of Following, join Jamie as he test drives a few of his foamie favourites at Pipeline and beyond, fully proving that the man is capable of riding just about anything at one of the craziest waves on the planet. Sit back, get the popcorn going and enjoy the latest episode of Following.

Alaïa Open Winter Cup

Alaïa Open Winter Cup

Sion, Switzerland – Despite some minor global challenges, the Alaïa Open Winter Cup is happening this weekend, and the warm-up sessions start tomorrow, 3 December 2021. Surfers from all over Switzerland and various hubs worldwide have begun arriving at Alaïa Bay. The wave pool is steaming with all the red-hot talent warming up for the event.

The Alaïa Open Winter Cup is the first major event at Alaïa Bay, and there is US$75,000 up for grabs in prizes and cash for those surfers who excel in this event.

During the surfing event, Alaïa Bay is hosting the Saturday Evening Party. This party will be hosted by Lunarts, the makers of WooMoon and StoryTellers – with an eight-hour showcase direct from Ibiza.

Despite the party on Saturday night, the Alaïa Open Winter Cup is a hardcore surf event. The temperatures in Switzerland are fresh, and there is even a chance of snow on the final day. Current weather in Sion HERE.

The Alaïa Bay competition qualifications on Saturday 4 December will have a unique format, ideally suited to the workings of the wavepool. First, surfers get to choose their best option, be it a left or a right-breaking wave. Then, each surfer gets a one-hour session with others in which to showcase their skills. After that hour, top scores will be tallied.

At the end of the first day, the top riders will advance to the final day. The format for the finals day will be the standard competition format as per ISA rules. Contest Director is a Swiss-born surfer, Swiss Surfing Association's Dario Müller.

"We're very excited about the upcoming Alaïa Open," said Alaïa Bay founder Adam Bonvin. The 25-year-old Swiss surfer has been the driving force behind Alaïa Bay. It will be great to have the best Swiss surfers here, and we look forward to watching them surf. We are also very excited to see the international competitors competing at our wavepool. This event is all about the surfers."

All the event information can be found here:

To see some of the action, check out the webcam here:

For any queries go here:

Noa Mizuno – Morocco Madness

Noa Mizuno – Morocco Madness

Moroccan magic in full effect as Noa Mizuno takes full advantage of the perfect points that rifle down its coast. Click into the pits, and mind surf your way through some dredging Moroccan pits.

Morning Of The Earth – 50th Year Anniversary.

Morning Of The Earth – 50th Year Anniversary.

In advance of the highly anticipated UK premiere of Morning Of The Earth at the 10th Annual London Surf / Film Festival on the 4th December (Tickets here), Carve caught up with filmmaker Alby Falzon and Producer Justin Misch to find out more about his project.

Considered by many the greatest surf movie ever made, Albert Falzon crafted this visually stunning masterpiece around some of the most stylish, groundbreaking surfers of all time – names that redefined waveriding – Nat Young, Terry Fitzgerald, Michael Peterson, Rusty Miller et al. Shot around legendary breaks in Australia and the North Shore – they then journey to Bali – discovering the mind-blowing waves of Uluwatu and changing the course of history for ever.

A fantasy of surfers living in three unspoiled lands and playing in nature’s oceans, Morning of the Earth tells the story of a group of friends exploring the measures of all things beautiful: searching for virgin waves, shaping their own surfboards, building their own homes and living off the land in harmony with nature, it is a true tale for our times. It has become – over time – a collective noun for a genre of movie, for an approach to waveriding; for a free-flowing style and a free flowing mindset. It has become the bar against which all other films are judged and whose influence can be seen running through the core of so many modern projects.

Shot in 1971, Falzon and co-producer David Elfick were awarded a $20k grant from the Australian Film Development Corporation – a huge amount of money, but MOTE became the most successful Australian made surf movie up to that time, grossing more than $200,000 in domestic theatres.

So what was the driving reason behind remastering Morning Of The Earth and why now? “Morning of the Earth has stood the test of time and perhaps is more important today in view of the increased number of people on the planet and the demands they are having on its resources and ecosystems,” says Director Albert Falzon. “We need more than ever to be reminded of this fragile system we have inherited and to a certain extent Morning of the Earth is a reminder that we are all truly responsible for our decisions and actions. It reflects in a simple way how we can endure and sustain and enjoy our life here and leave a small footprint and a better world in our passing.”

And this is where filmmaker and producer Justin Misch comes in. “Wyatt and I were in Australia filming for our first film, Spoons: A Santa Barbra Story,” he explains. “Alby had lent us some 16mm outtakes from Crystal Voyager and we made an effort to hand deliver it back. So we met at a Coffee Shop in Crescent Head and an hour later were in the water. After our session we asked why Morning of the Earth wasn’t available online for the modern viewer and he simply replied, “Well mate, because you haven’t done the work yet!” 3 years later and photoshopping 150,000 frames multiple times over and here we are. We’ve got a beautifully restored version of this amazing film, and it’s now ready to be shared with the next generation.”

The technique involved in this museum grade restoration process is quite literally mind-blowing. First the team had to source original 16mm AB rolls. A macro camera on a digital film scanner took a full 4K resolution photo of each image on the film strip, resulting in an image sequence of 150,000 individual files — 15TB (15,000GB) of data. The total project amounted to 50TB. Hearing about the minutiae of the full process sounds more NASA than ‘Country Soul,’ but the results are equally mind-blowing. Seeing the film on the big screen, in 4k quality, with surround sound, Alby says “Well It looks and sounds better than it ever has.” It certainly does that.

10th Annual London Surf / Film Festival x VANS is hosted 2nd to 4th December at the iconic Genesis Cinema, presenting a carefully curated line up of the very best films from across the globe that represent the pinnacle of contemporary surfing right now! Accompanied by Q+A’s and ‘Audiences with…’ some of the world’s most exciting surfers and creatives it’s a celebration of the cream of cinematic surf culture
Check out the full line up for 2021 >> HERE.
Tickets are on sale now via the Genesis Cinema >> HERE.

Nazaré

Nazaré

Finally back in the land of plenty. After two years of been locked in Australia I got the green pass to travel again. So as I treat Nazaré in Portugal as my second home I got the fastest flight over here. So week one was epic. Literally some of the best big wave paddle sessions i have got to shoot here at the home of the biggest ridable waves. 3 X time WORLD BIG WAVE Champion Grant 'Twiggy' Baker set the pace with some all-time rides.
This was truly history in the making - Tim Bonython

Surfers featured;
Grant 'Twiggy' Baker
Natxo Gonzalez
Cristian Merello
Pedro Calado
Andre Flores
Tom Lowe
Fabian Campagnolo
Rob Fowlie
Nate Zoller
Michelle Des Bouillons
Tom Constant
Pierre Rollet
Axi Muniain
Xabi Lopez
Tito Ortega
Othmane Choufani
Gabriel Samps
Andrew Cotton
Antonio Laureano
Joao De Machedo
Joa Kinn
Mat Agirregomezkorta Etxebarne
Cristian Merello